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UNFAIR
RACIAL |
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CLICHÉ
ALERT |
!SPOILERS AHEAD!
THE UNFAIR
RACIAL CLICHÉ ALERT
Deadicated to Scatman Crothers
1900 - 1960 - 1970 - 1980 - 1990 - 2000
96 coincidences and counting!
For a complete explanation of what this page is about, please go to the
UNFAIR RACIAL CLICHÉ ALERT
main page.
"Aw
man I'm done! Brothers never survive these things!"
-Preacher (played by LL Cool J): DEEP
BLUE SEA
LEGEND
| HORROR/THRILLER |
HOLLYWOOD
THRILLER |
NON-HOLLYWOOD
HORROR |
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BE ALERT FOR THESE TITLES OF
1990s |

1990s: THE DECADE OF THE FACE POSTER! |
TOTAL
RECALL - 1990
HORROR / THRILLER
Carolco Pictures
Screenplay: Ronald Shusett, Dan O'Bannon, Jon Povill,
& Gary Goldman
Director: Paul Verhoeven
Producer: Buzz Feitshans & Ronald Shusett
In the future, the only black guy - on Earth or Mars - is Benny, the
jive talkin' cabbie (actor / writer / director Mel
Johnson Jr.). He's a bad guy and gets drilled to death
by Arnold, who is trying to protect his hispanic woman, but mainly
himself. Yes, the secretary at Rekall is also black, but she's a bit part and you know it; having less than 30 seconds on the screen. |
|
SYNGENOR - 1990
HORROR / THRILLER
Syngenor Production Company Limited, Associated Screen Artists Inc., American Cinema Marketing Corporation
Screenplay: Michael Carmody, Brent V. Friedman
Director: George Elanjian Jr.
Producer: Jack F. Murphy
There's only a single minority in this movie, so as you've come to expect, he dies. The lazy, bitchy, beer-drinking on the job security guard, Donnie (Roy Fegan), gets his brains blown out by his white boss. |
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TERMINATOR 2 - 1991
HORROR / THRILLER
Carolco Pictures
Screenplay: James Cameron & William Wisher Jr.
Director: James Cameron
Producer: James Cameron
The only black guy - Joe Morton (also dies in THE ASTRONAUT'S WIFE)
- nobly blows himself up to save the future and to avoid being shot
to death by L.A. cops.
In Fact: to save time let's just say that,
if you are a male minority in an Arnold Schwarzenegger SF/Horror movie,
then you are probably not a good guy, most likely a bad guy, and Arnold
is either going to kill you himself or leave you for dead.
On The Other Hand: If you are a female minority, then Arnold
is going to kill the all minority men and keep you for himself. Unless
of course, he is already protecting a white woman, in which case you
are threatening his white woman and you are going to die. Unless of
course, he has already killed all the male minorities who were threatening
his white woman in the first place. |
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ALIEN
3 (1992)
HORROR / THRILLER
20th Century Fox
Screenplay: David Giler, Walter Hill, & Larry Ferguson
Director: David Fincher
Producers: Gordon Carroll, David Giler, & Walter Hill
One white survivor plus the evil corporate big wigs at the end - who
weren't really in any danger in the first place. They were all white
except for one token Asian man among them: a walk-on extra who doesn't speak. There was a flap among
some Asian columnists for the movie makers having portrayed the only
Asian man in the entire series (at that time)
as one of the bad guys. |
|
JURASSIC
PARK (1993)
HORROR / THRILLER
Amblin Entertainment / Universal Pictures
Screenplay: Michael Crichton, David Koepp
Director: Steven Spielberg
Producer: Kathleen Kennedy, Gerald R. Molen
The only black character, Samuel L. Jackson, dies nobly. Only
the white wealthy people survive.
Update: Mention has been made online that I forgot the first victim, whose movie credit was "Worker in the Raptor Pen" That person is former Chicago Cubs baseball pitcher and current Stunt man, Jophery C. Brown. I don't include him just as I don't include any extras in the URCA. Jophrey was a speaking extra and this is what he said, "ARGH!" So yeah, not a character. Samuel L. Jackson played Ray Arnold and HE was a character in the movie. |
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INTERVIEW WITH
THE VAMPIRE (1994)
HORROR
Geffen Pictures / Warner Bros.
Screenplay: Anne Rice
Director: Neil Jordan
Producers: David Geffen & Stephen Woolley
All the minorities
in the movie die (Antonio Banderas' character is a white Spaniard, Armando), the New Orleans prostitute (Indra Ové - also dies in RESIDENT
EVIL), and Yvette (Thandie Newton). |
|

THE FEAR OF THE FACE! |
THE FEAR(1995)
HORROR
A-Pix Entertainment, Inc.
Screenplay: Ron Ford & Greg H. Sims
Director: Vincent Robert
Producer: Richard Brandes
Alone in a cabin to discover their true fears, a mess of white people
die because of ghosts from their past. The black couple are the only
ones killed without explaining what evil things they did in the past
to deserve it. Only white survivors. |
|
ERASER - 1996
THRILLER
Warner Bros.
Screenplay: Tony Puryear & Walon Green
Director: Charles Russel
Producers: Anne & Arnold Kopelson
Arnold Schwarzenegger kills everyone to protect the minority woman in
his charge (mulatto actress Vanessa L. Williams).
All male minorities die. |
|

SKULL FACE |
THE
FRIGHTENERS - 1996
HORROR
WingNut Films / Universal Pictures
Screenplay: Peter Jackson & Frances Walsh
Director: Peter Jackson
Producers: Peter Jackson & Jamie Selkirk
The only black guy, Chi McBride, is a dead guy
- one of the ghosts. All the living are white. Even as a ghost, Chi
still dies! In prior movies by Director Peter Jackson, the minorities
lived - and there was a lot of them. This was his first Hollywood
financed Horror movie, and his first to get an UNFAIR RACIAL CLICHÉ
ALERT. Odd, huh? |
|

FEAR OUR FACES AND GUNS! |
FROM
DUSK TILL DAWN - 1997
HORROR
Miramax Films / Dimension Films
Screenplay: Quentin Tarantino
Director: Robert Rodriguez
Producers: Gianni Nunnari & Meir Teper
Despite the largely interracial crowd (African,
Hispanic, Asian) including SALMA HAYEK, the only survivors
with any screen time, are white.
Cheech Marin, who played many different characters
in the movie, dies several times. He finally makes an appearance at the end, but his last character
was never involved in the story in the first place. He doesn't die, but George punches him in the mouth. |
|

FINALLY! A MOVIE POSTER THAT'S ACTUALLY ABOUT, WHAT THE FREAKING MOVIE IS ABOUT! |
CUBE ~ - 1997
HORROR / THRILLER
Téléfilm Canada / Viacom Canada
Screenplay: André Bijelic, Vincenzo Natali, & Graeme Manson
Director: Vincenzo Natali
Producers: Mehra Meh & Betty Orr
Though not made or funded by Hollywood (it's Canadian), this otherwise fine movie still follows the same
old formula. There is only one black guy (Maurice
Dean Wint), one racially set apart minority at all, actually
- all the rest are white. Maurice was cast as the only bad guy: and
what happens to bad guys in these movies? |
|

MY FACE FEARS RED! |
RELIC - 1997
HORROR
Paramount Pictures
Screenplay: Amy Holden Jones, John Raffo, Rick Jaffa, & Amanda
Silver
Director: Peter Hyams
Producers: Gale Anne Hurd & Sam Mercer
The first victims of the creature in RELIC are
all Hispanic. The first victim in the Museum is a black security guard
who gets it while smoking pot on duty. Tico Wells is a black
cop trying to save the rich white people and he dies nobly. The only
Asian man (Chi Moui Lo: BUFFY THE VAMPIRE SLAYER) is a bad guy trying to steal a white
person's job. Only white survivors. |
|

MY FACE FEARS BLUE! |
DEEP RISING - 1998
HORROR
Hollywood Pictures / Buena Vista
Screenplay: Stephen Sommers
Director: Stephen Sommers
Producers: John Baldecchi, Mario Iscovich, & Laurence Mark
All the black people were also bad people so they die.
All the Asians were wealthy Asians so THEY die. Basically,
anyone who is not white dies. Actor/Model Djimon Hounsou (Vivo)
not only dies trying to take over a ship in this sea-movie, but a
year earlier played an African Slave Trader (Cinque)
in AMISTAD (1997) who commandeers a slave
ship and later demands that the white slave owners of early America
return him to his home country and freedom - so he can continue the
family business (!) (that family business of
enslaving human beings continues to this day. Thanks John Quincy Adams!) |
|

OUR FACES ARE SOMEWHAT APPREHENSIVE ABOUT GREEN |
ALIEN
RESURRECTION - 1998
HORROR / THRILLER
20th Century Fox
Screenplay: Jean-Pierre Jeunet
Director: Joss Whedon
Producers: Bill Badalato, Gordon
Carroll, David Giler, & Walter Hill
In the 4th and worst installment of the series, all
male humans regardless of race are bad guys. All the women or those
appearing to be human females are confused and victimized. Still,
of the 4 survivors, all are white. As with every ALIEN movie,
all black folk were cast in body count roles. |
|

MY FACE GIVES AWAY THE SCARIEST PART OF THE MOVIE |
STRANGELAND ~ (1998)
HORROR / THRILLER
Snider Than Thou Productions Inc.
Screenplay: Dee Snider
Director: John Pieplow
&Dee Snider
Twisted Sister frontman, Dee Snider, kills off the
only major African American character (Amal
Rhoe)
in the first few minutes of this film. The rest of the town seems
to be all white. Hispanic actress, Elizabeth Peña, plays a white woman.
I didn't realize that until we see her all white sisters. (?) |
|
MIMIC - 1997
HORROR / THRILLER
Miramax Films / Dimension Films
Screenplay: Matthew Robbins & Guillermo del Toro
Director: Guillermo del Toro
Producers: Ole Bornedal, B.J. Rack, & Bob Weinstein
Halfway through the movie you just KNOW that the black subway cop
Leonard (Charles Dutton: CAT'S EYE, ALIEN 3, SE7EN) is going to be slaughtered in the time honored Horror
movie cliché of Kill The Black People. And yep, Leonard dies nobly while saving the white couple (also dies nobly in ALIEN3). |
|
PHANTOMS (1998)
HORROR / THRILLER
Miramax Films / Dimension Films
Screenplay: Dean R. Koontz
Director: Joe Chappelle
Producers: Steven A. Lane, Michael Leahy, Robert Pringle, & Joel
Soisson
Only the
white folk survive. The one black man - Clifton Powell, the
one Asian woman - Valerie Chow, and the one Latino man - Micael
DeLorenzo, get slaughtered, though nobly. |
|

OUR FACES ARE BORED BLUE WITH THIS MOVIE |
VIRUS (1999)
HORROR / THRILLER
Dark Horse Entertainment / Universal
Screenplay: Chuck Pfarrer & Dennis Feldman
Director: John Bruno
Producers: Gale Anne Hurd
There is a black guy (former Pro Footballer Sherman Augustus: Richie) in this movie and so, like nearly every SF/Horror
movie in the last twenty years, from perennial black movie victim Paul Winfield to the present; HE DIES!
The black character in SF/Horror (like Charles Dutton in MIMIC) is no slouch, of course. He is noble, he overcomes his limitations, he is heroic, he saves the white people,
he is a credit to his race, but never-the less, HE DIES.
THE ONLY BLACK
GUY DIES!
As soon as you see him and the little guy (Julio Oscar Mechoso:
Squeeky) and the dark complected, but undetermined race character (New
Zealander Cliff Curtis: Hiko - also starred in the SF/Horror movie DEEP RISING), you know one thing: that out of all of the potential
survivors, THESE NON-WHITES ARE GOING TO DIE!
And of course, they do. |

OUR FACES ARE DULL EYED AND SLACK-JAWED. WHY IS THAT GOOD FOR THE MOVIE? |
THE
ASTRONAUT'S WIFE - 1999
HORROR / THRILLER
New Line Cinema
Screenplay: Rand Ravich
Director: Rand Ravich
Producers: Andrew Lazar
The only black actor who doesn't have a bit part, Joe Morton (who
also died nobly in TERMINATOR 2),
gets to die nobly again while trying to save the earth.
|
DOGMA - 1999
THRILLER
View Askew Productions / Lions Gate Films / Scanbox Finland
Screenplay: Kevin Smith
Director: Kevin Smith
Producer: Scott Mosier
As DOGMA grows steadily duller, your mind starts to wander and
you begin to notice things. Things like, "Hey, there are no black
people in this movie, in fact, there are only white people." To overcome
this, Writer/Director Kevin Smith has Chris Rock fall out of the sky,
literally. Problem is, Chris Rock, for all his millennia in Heaven and
his status as an apostle, is not an angel, he's just a dead guy. When
his mission is done, back he goes. He's only there to help the white folks
accomplish THEIR mission; he doesn't actually do anything himself.
The only other black people in the entire movie are a unusually friendly
group of street thugs, who are all quickly killed off by an "Excremental": A shit demon.
This is not to say that some white characters don't also die, they do. The UNFAIR
RACIAL CLICHÉ ALERT is to let you know that, no matter how many victims or how many people from different races are in the movie, the whites and ONLY the whites were cast as the survivors. Or in this
case, even have lives that matter.
I don't have a "feminist cliche" alert because the ultra-sexist Women As Victim and/or Window Dressing is so
institutionalized in all manner of movies across the board it isn't even
worth the time to bring it up. Everybody knows about it. Even Thelma And
Louise played out the whole movie in a never ending Women-As-Helpless-Victim
vein! What makes it particularly stand out in DOGMA though, is
how the flick tries to be so painfully hip and cool and Politically Correct
Liberal, Yet Still Paints Every Woman As Helpless Victim And Every Minority As Dead Meat!
It was so over-obvious as to be mind-boggling. Like having Newt Gingrich and Henry
Hyde upholding the sanctity of marriage, family values and decrying Clinton
for lying under oath about his having an affair, WHILE both Gingrich
and Hyde are having adulterous affairs and lying under oath about it!
For example: While this movie pretends to be oh so very sensitive toward women (only men are bad, only men are guilty, only men are killed, blah, blah. Women are muses, saviors, and the latest version of GOD), it really just puts them in the background while the guy's get to have all the fun and good lines.
Bethany is sent only male characters to help her in her mission. First Metatron,
then Jay and Silent Bob, and finally Rufus. Bethany is never sent any
female help. Understand that Bethany is played by Linda Fiorentino, LINDA
FIORENTINO (!). When it comes to American, ass-kickin' female leads
you have Sigourney Weaver, Linda Hamilton, and Linda Fiorintino. Yet in
this movie she is helpless without the constant assistance of all the
guys who are either saving her life or telling her what to do.
When we first meet Loki, he is talking a Nun right out of her own faith. Later, when
Loki and Bartleby go to the Mooby Corporation to do some cleansing of
the sinners, the all white board of directors has only one woman. All
the sins of the men are laid out. The woman's life story is never told.
She is innocent; no background; no life; has done nothing wrong and is
reduced to being less than a cipher.
Salma Hayek makes her appearance in this movie as the stripper Serendipity (these guys must have loved her in FROM DUSK
TO DAWN) What she is, in reality, is a Muse. She can do nothing
herself, she can only influence (in this case men) to actually accomplish the ideas that she invented.
Wait a minute! Shouldn't a muse be influencing the supposed hero of this movie, who is Doctor Bethany? Nope. Serendipity can only influence the men. They are the ones who must save Bethany from getting herself killed.
GOD, while frequently referred to as he, in this movie, is played by a she (Alanis
Morrisette). God is unable to speak for herself. To hear her talk will
destroy your brain (ah ha ha! Of course *wink*).
She needs her male Angels to speak for her in her behalf. She's God! She's Omnipotent! Except she doesn't know how to modulate her voice. She needs
men to speak for her. Only when she squeeks and giggles do we hear her. |

MY FACE IS CURIOUS ABOUT BROWN |
THE
GREEN MILE (1999)
THRILLER
Warner Brothers
Screenplay: Frank Darabont
Director: Frank Darabont
Producers: Frank Darabont & David Valdes
Only one
black man in the whole movie (Michael Clarke
Duncan) and he happens to be on death row. So guess what? And
the argument that Steve killed off the character in the story doesn't
work here either. See THE SHINING as to why. |
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BY DA END OF DA 1990s, MY FACE DIDN'T SELL TICKETS LIKE IT USED TU. TIME TU DRY A NEW LINE UFF VERK! |
END
OF DAYS (1999)
HORROR / THRILLER / MYSTERY
Universal Pictures
Screenplay: Andrew W. Marlowe
Director: Peter Hyams
Producers: Andrew W. Marlowe, Bill Borden, & Armyan Bernstein
CCH Pounder
plays Margo the cop. The only black woman or minority person in this
movie, she gets shot to death by Arnold because she is evil and is
threatening the white woman that Arnold is trying to protect. This
is not a spoiler since black people in Arnold Schwarzenegger SF/Horror
movies are always bad or victims or both and wind up dead.
Come to think of it, you really can't spoil an Arnold Schwarzenegger
movie with the UNFAIR RACIAL CLICHÉ ALERT. It would be a surprise if it DIDN'T happen! |
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URCA
MOVIES |
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