THE ASTRONAUT'S WIFE - 1999
New Line Cinema
Rated: USA: R
Did you ever play the computer game MYST? If so, do you remember how visually
intriguing it was? You went through and solved fascinating puzzles, some
logical, some obscure, some apparently meaningless. You were willing to
go through it all because of the atmosphere of the game. What it lacked
in interaction (it was little more than a very pretty slide show) it made up for - in sound and visuals - in immersion.
Yet with all those lands you visited in the game, when all was said and
done and you got to the end, the payoff was anticlimactic.
This is how I felt at the end of THE ASTRONAUT'S WIFE. On one hand, I was happy to see that Hollywood was returning to the subtle thriller since the In Your Face appeal has numbed us all and lost its novelty.
This film was Written and Directed by Rand Ravich (CANDYMAN II: Farewell to The Flesh) and marks his Directorial debut. His
eye for scene and style, mood and build up are all flawless and I expect great things from him in the future. This direction, combined with his story is trim and lean and delivers great threat. By the end, however, their is simply no payoff. Always leave the audience wanting more is a keen idea, but satiate us in the first place so we will want a second helping, not simply the next course.
But ah . . . that build up. Johnny Depp (A NIGHTMARE ON ELM STREET, EDWARD SCISSORHANDS, THE NINTH GATE, SLEEPY HOLLOW) a fine if
quirky actor, tries his hand at villain in this one and together with
Ravish imbues his character, Spencer Armacost, with both dark forbidding
and open humanity. Is he really the awful person his wife grows to suspect
that he is, or is she slowly losing her mind?
Since this story is THE ASTRONAUT'S WIFE, the wife, Jillian Armacost (played by Charlize Theron:
CHILDREN OF THE CORN IV, THE DEVIL'S ADVOCATE) must carry the movie.
When we first meet this couple, they are in bed together, laying both
innocent and lazily seductive like lovers do. Tomorrow, Spencer is going
up on a shuttle flight to do regular maintenance on a satellite. The scene
is sweet and both actors handle it well. Because we have seen the trailers
for this flick, we dread what is about to happen to Spencer.
The next day Jillian gets the awful news. Something happened to Spencer and he
Eventually he gets better and is the same old Spencer Jillian has always loved.
Her friend Natalie (Donna Murphy: JADE) commits suicide after saying scary things about her husband Alex (Nick
Cassavettes: THE WRAITH, FACE / OFF), the other astronaut who was with Spencer when the mysterious accident happened. Jillian realizes that there are parallels between the two men now that never existed before.
Now Spencer wants to leave their sunny, happy life to live in dark and overcast New
York City. Even though he knows little about engineering, he has got a high paying job with a military aeronautics firm (in NYC? Well, okay). Jillian notices things , little things that begin to add up to a forbidding mystery. Like Spencer's increasingly
foul mouth (if he is possessed by another life form, it must be a crude life form), his cruel love making,
his sudden appearances at home despite his job.
At the same time, Ravich's script balances Spencer's newly and only slightly odd behavior
with his caring, loving giving nature toward Jillian. She is pregnant
with twins and who could ask for anything better than a husband like Spencer?
Is it all in her mind? Between Spencer surviving the naturally life changing
ordeal of near death, and Jillian coping with her body adjusting to pregnancy,
could she only be imagining his, just slightly odd behavior?
Now enter one of the staff from back at NASA. Sherman Reese (Joe Morton: TERMINATOR 2, APT PUPIL). A fixture at the Space Administration with undetermined job specifications, Reese has returned to tell Jillian the bad news. "He
is not your husband anymore."
At this point, you would now expect the pace, which has been tantalizingly, but also excruciatingly slow, to really pick up, but it doesn't.
"By golly," you think, "this is going to be SOME kinda payoff come the end!"
Another problem this movie has is the tired out and worn down
!!!UNFAIR RACIAL CLICHÉ ALERT!!!
Black actor Joe Morton is in this movie and so, like nearly every SF/Horror movie in the last twenty years, from perennial black movie victim Paul Winfield to the present; HE DIES! The black actor in SF/Horror (like Charles Dutton in MIMIC) is no slouch, of course. He is noble, he overcomes his limitations, he is heroic, he saves the white people, he is a credit to his race, but never-the less, HE DIES. THE ONLY BLACK GUY DIES! As soon as you see him you know one thing: that out of all of the potential survivors, HE IS GOING TO DIE! In the more racially mixed EVENT HORIZON, they at least allowed one member of each race to live, and to the movie maker's credit, did it without being left wing liberal hokey about it.
For more, go to the UNFAIR RACIAL CLICHÉ ALERT
Because this movie relies so heavily on its mystery, I haven't given you anything more
in this review than you would have seen in the previews and movie trailers.
No Spoiler Me! This movie is gorgeous to look at and so are its actors.
The set decorations are sterling (Leslie A. Pope: ANGEL HEART), as is the cinematography (Allen
Daviau: TWILIGHT ZONE: The Movie [segments 2 & 4], CONGO). Rarely mentioned in a review is the hairstylist, but Hair Department head Candy L. Walken (PSYCHO ) used her talented mind to create a hairstyle for each person that marked them in
a very unique way. The hairstyles of each character help define and make that character recognizable, even when out of focus.
While THE ASTRONAUT'S WIFE is visually fascinating in many respects, it winds up being only beautiful
eye candy. I give it a Just Barely Earned 3 Shriek Girls.
copyright 1999 E.C.McMullen Jr.
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