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RED EYE - 2005
Dreamworks
Ratings: USA: PG-13 |
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WOW!
RED EYE is Wow!
It begins with a man in his house. He is seemingly alone. He walks out of his room
and the camera lingers over his wallet. A hand grabs it.
Next we meet Lisa Reisert (Rachel McAdams) a harried hotel
manager returning from a mean vacation. No matter where she goes, she's
never so far away that she isn't still doing her job, putting out small
fires back at her hotel via cell phone. The cell phone will become an
important part of this story, as they have with all of us even as far
away as Jalalabad. And that reference too, has meaning.
A delayed flight means that Rachel will have to catch a red eye flight and her soon
to be co-passengers, waiting in line, are getting grumpy. When she comes
to the aid of one woman getting harrased by a type A personality in the
form of a big well-heeled man, a slight and effeminate looking guy, backs
her up. The frail guy (Cillian Murphy: 28
DAYS LATER, BATMAN BEGINS)
seems to be far out of his league in standing up to the big guy. Then
to make matters worse, he grabs the larger man's arm. Oddly enough, the
big guy backs down. Clearly there's more than meets the eye about the
little guy and Lisa is impressed.
Seemingly fortunate circumstances repeatedly throw the two together over the course
of waiting for the plane, and when they finally board, Lisa discovers
that her seat is right next to her new friend. The plane takes off and
merry mishaps occur.
There was nothing accidental in their meeting. Her new friend, who
calls himself Jack Ripner, has been stalking her for weeks. He has a unique
job description. He makes calls and influences people. Influencing people
is what he does best, and he has been paid to influence Lisa. The hotel
she manages is about to have an important guest: A U.S. Senator who vacations
there every year. Every year he gets the same room, but this year, Jack
wants Lisa to phone her hotel and, with her power as a manager, give him
a room that faces the ocean. If she doesn't, then a hitman waiting outside
of her Father's house will kill dear old Dad (Brian Cox: MANHUNTER, THE RING, X2) in as painful
a way as possible. Jack doesn't have to make the call to have her father
killed. He only has to fail to make the call. Should someone somehow warn
her father, and he should break his routine by leaving the house early,
then he shall also be killed. Lisa has to race against time, and the chance
that her father might arbitrarily find a reason for leaving home early,
unaware that it will be his death.
Edge of your seat Thrillers are rare and as the audience gets into them, such stories
seem to fall apart as the audience starts second guessing the hero or
heroine. "Don't do that, do this!" "Why didn't she do X
when she had the chance?"
Amazingly, and to the delight of the audience, Director Wes Craven and writers Carl
Ellsworth and Dan Foos, anticipate the audience doing just this. Just
as in SCREAM, where Craven and writer
Kevin Williamson revealed the tricks they knew from Horror movies, Wes
amply demonstrates that he knows where the Thrills in a thriller are.
Except this time he doesn't tell you about them, he uses them. Everytime
you hear the audience murmur in doubt, Craven delivers
a shock that had us squealing in delighted fright.
Though frail in appearance, Jack is deceptively nimble and fast both physically
and in cleverness. Jack is intellectually formidable and it will take
all of Lisa's wits to defeat him. Can she save both the Senator and her
Father? You'll be guessing right to the very end of the best Thriller
movie I've ever seen!
RED EYE gets all 5 Shriek Girls.
    
This review
copyright 2005 E.C.McMullen Jr.
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This
is not the usual beginning for a Wes Craven flick. In everything from DEADLY BLESSING to SCREAM, Wes spends the first five or so minutes
of his movies focusing on one character that abruptly dies. This is
how they all start. The death of the initial protagonist introduces
the monster or killer. But with the SCREAM series of films, it seemed
as if Mr. Craven was emptying out his old bag of tricks and preparing
to go in new directions.
The SCREAM movies were all about revealing
the standards - storytelling cheats if you will - that had been overused
and abused in the Hollywood Horror Thriller genre. It was as if Wes
was making a promise to his audience that he would be taking his love
of Horror and Thrillers in whole new directions. I've been patiently
waiting to see what Wes was going to do next, and RED EYE is it. |
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