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RASEN is the direct sequel to the original Japanese RINGU, released later in the same year as RINGU and takes place immediately where RINGU leaves off. Hiroyuki Sanada (RINGU, RINGU 2), returns as the dead Ryuji Takayama. Killed by the ghost, Sadako Yamamura in the first film, he returns in RASEN: THE SPIRAL as a corpse that his good friend and colleague, Mitsuo Ando (Koichi Sato: CHÔ SHÔJO REIKO, UTSUTSU, INFECTION), must perform an autopsy upon. But like his deceased friend, Mitsuo has his own demons. His son drowned two years before and Mitsuo was unable to help him. Curiously, little is said of the Mother and though Mitsuo greives greatly over his son, the life of the mother means nothing to him. In one scene, he finds that his wife and son are alive, yet her face is never seen, only his son. This bit in and of itself is creepy. Two years later and Mitsuo toys with the idea of suicide, but can never bring himself to actually do it. His exhausted mind produces hallucinations and in those Ryuji comes to life. The police inivestigating Ryuji's death lead Mitsuo to his girlfriend, the woman who discovered Ryuji's body, Mai Takano (Miki Nakatani: RINGU, KAOSU, KANSEN). Mai is shy but is attracted to Mitsuo's kindness and the fact that he is the only connection she still has with her beloved Ryuji. Finding a bit of escape from his bitter loneliness, Mitsuo allows Mai into his life, although their reasons for coming together are different from each other. Mitsuo hears about the video, finds it, watches it, and immediately destroys the tape. He also comes across a very odd clue. Ryuji's tissue samples come back from the lab and he discovers that Ryuji died from a cardiac infarction: a major artery leading from the heart was blocked causing a heart attack. The blockage was a cancerous tumor caused by a virus. What makes THIS problematic is that the four youths from the first movie, who all died on the same day at the same hour and minute, also had the exact same tumor in the same place and died by the same cause. An investigation finds that everyone who has seen the tape has had the same cancer, and it kills in seven days. Another peice of Ryuji's tissue is an ulcer caused by, of all things, a peice of paper. There is writing on the paper and Mitsuo recognizes that it is Ryuji's handwriting and one of his encryption codes. This second movie was written and directed by Jôji Iida (ANOTHER HEAVEN) based, as the first movie, on the novel by Kôji Suzuki (Books: DARK WATER, RING). Kôji's work has been a huge influence on Asian Horror cinema for nearly the past decade. Where the first movie was supernatural, RASEN takes on a more scientific approach: that the cause of death is a very unique form of viral infection. The genetic code for the virus is contained in the video. The eye watches it. The brain recordes what it sees, decodes the viral chain and creates the genetic code within the body, thus creating the virus, thus the video creates the cancer causing virus in the body. Yes, it tries to come off as scientific but how Sadako was able to do all of that, WHILE DEAD, keeps it in the supernatural realm. So there is some immense confusion in this movie as Jôji tries to bridege the world of the supernatural, i.e. FAKE, and science. As in the first RINGU, tension slowly builds as Mitsuo discovers new things not mentioned in the first movie. This is all good but at the same time some of it contradicts the logic of the first one. Its entirely fine to discover in a second movie that someonoe from the first film was wrong about something. But if your contradictions question the very existence of the first movie's plot, then the sequel comes apart. RASEN plucks the string of that suspension of disbelief, without ever actually breaking it. Though not as good as the original, RASEN is still a worthy film in the series. Three Shriek Girls.
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