Movies reflect people's fears. Today computers are so integrated into everyday life that we think nothing of them, but in the late 60's the average person had never seen a computer except on TV. All they knew was that these electronic brains could do lightning calculations, so they must be pretty smart. Computers were huge, mysterious machines attended by brainy acolytes, and used to hold information on everyone everywhere. People were nervous.
COLOSSUS: The Forbin Project, made in 1969, is an expression of that fear. Directed by Joseph Sargent (JAWS: The Revenge) and written by James Bridges (THE CHINA SYNDROME), the movie opens with Dr. Forbin (Eric Braeden: ESCAPE FROM THE PLANET OF THE APES) switching on a huge computer that stretches down endless, long hallways. Lights come on and circuits begin clicking. Forbin closes a series of huge steal doors and steps outside where the President (Gordon Pinsent: BLACULA) and his cabinet are waiting.
The President appears on TV soon after and announces to the public that Colossus, the biggest, most sophisticated computer in the world, has just been given complete control of our entire arsenal of nuclear weapons, and tied into all forms of communication throughout the world. The purpose of this transfer of control is to demonstrate that the U.S. is incapable of launching a nuclear attack (remember, this is the height of the cold war). Colossus can only react defensively.
Much to the surprise of everyone, including Forbin, Colossus announces it has discovered another system. It turns out the Russians have built a similar supercomputer call Guardian. Colossus demands to be connected to Guardian, and Colossus curiosity and growing intelligence, far beyond what its creators thought possible, starts to make people uneasy. However, in the spirit of international peace, the U.S. and the U.S.S.R. agree to the link-up.
Colossus and Guardian begin discussing mathematics, starting with the multiplication
tables but quickly surpassing the highest mathematics conceived by man.
The two machines develop their own language and the conversation is no
longer intelligible to humans, so the President and the Russian Premier
cut the link. Colossus is not happy, and the words
Forbin and his staff realize they've got to pull the plug, but Colossus was designed specifically so no one could do that. Plus, Colossus seems able to anticipate every move, and orders audio and video surveillance of all the computer personnel, especially Forbin. In an attempt to maintain a secret communication link with his staff, Forbin convinces Colossus that fellow computer scientist Dr. Cleo Markham (Susan Clark: SKULLDUGGERY) is his mistress and that they must be allowed some privacy.
This is an excellent movie, full of tension and growing concern that there may be
no way to defeat the machine. Colossus is given a voice and his eerie,
cold statements regarding his plans and where we fit in will give you
a chill. He orders a new computer complex be built on the island of Crete
and the people living there be moved. When Forbin asks how they're
supposed to relocate half a million people, Colossus responds:
Time for a
!!!RACIAL CLICHÉ ALERT!!!:
The movie was based on the mediocre book by D.F. Jones. Jones wrote two more, neither of which are worth becoming movies. It's COLOSSUS the movie that's the masterpiece. As far as the evil-computer-taking-over-the-world film genre is concerned, COLOSSUS rules. The influence of this movie has been powerful on similar films (next time you see the TERMINATOR movies, replace the word "Skynet" with "Colossus"), but the original is the best. I give this must-see movie a well earned five shriek girls.
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