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THE WALKING DEAD |
| REVIEWS | FEO AMANTE THEATER | SCIENCE MOMENT | SCARY TOP 10 | UNFAIR RACIAL CLICHÉ ALERT |
I'm writing this for any wannabee writers, comic artists, movie directors, whoever has an interest. If you are before en editor, producer, publisher, and they tell you in their expert opinion that "This zombie thing" is done? Get away from them. They aren't experts, they have no idea what they are talking about. They said it to George Romero in the 1980s while zombie interest was clearly growing both in film and comics. Look for Stuart Kerr and Ralph Griffith's DEAD WORLD series.
"This zombie thing is over. It's played out."
But the hits kept coming. In books, THE RISING (2003). In movies, ZOMBIELAND (2009). And of course the RESIDENT EVIL movies have played through the course of the decade in live-action and animation. In fact, I'm writing this knowing that a wholly original tentpole zombie feature film will begin shooting this year - 2011.
Horror fans can't watch the opening of THE WALKING DEAD without remembering the identical opening for Danny Boyle and Alex Garland's 28 DAYS LATER. Often mistaken for a zombie film, 28 DAYS LATER is a plague film (and don't you forget it, punk!). They make it clear in 28 DAYS LATER that most of humanity is sick, like the sickos in RABID or THE CRAZIES: Not dead but animated like in NIGHT OF THE LIVING DEAD.
Weak, on foot, and easy pickings, Rick is lucky enough to be rescued from the approaching zombie hoardes by Morgan Jones (Lennie James: SNATCH, THE PRISONER [TV]) and his son Duane (Adrian Kali Turner). Little by little, Morgan and Duane reveal the true, awful nature of the zombie apocalypse. Worse, Rick becomes aware of his place in it, as the living are intractably connected to the dead. Morgan proves this to Rick by revealing his wife (Keisha Tillis), who isn't who she used to be since the zombies took over. On both a Horror level and a human emotional level, THE WALKING DEAD is a staggering piece of work. Each episode leaves you ever more amazed at both the emotional power of it which is actually equal to the seemingly unrestrained blood and guts gore of it until you realize that, for television, only AMC would dare to take the risks required to make such a series. Like all good zombie tales, THE WALKING DEAD is a story about traumatized people coming together and trying to find the strength and humanity within themselves to survive and at least hope to rebuild humanity. Whether they succeed by the end of the story is never the point. The point is always in the effort. The six episodes of Season One, which began on Halloween Night, 2010, end on a cliff hanger, every one.
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