GODZILLA 2000 aka Gojira
ni-sen mireniamu - 2000
Columbia Tri-Star Pictures / Sony Pictures / Toho Pictures Ltd.
Ratings: USA: PG
Godzilla (1998) vs. Godzilla 2000
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in this corner: GODZILLA
2000 (also known as Godzilla Millennium
but hereafter known as G2K). This is the latest Japanese remake
of their most honorable franchise. The story opens with Dr. Yuji Shinoda
(Takehiro Murata: GODZILLA VS. DESTROYER, GODZILLA VS. MOTHRA) and his daughter Io (Mayu Suzuki) sitting in their SUV, watching the ocean. Their vehicle is marked with
the letters GPN which we learn stands for Godzilla Prediction Network.
Antennas and various scientific instruments protrude from the roof.
Also with them is reporter Yuki Inchinose (Naomi Nishida:
MY SECRET CACHE), there to get some pictures of the big beast. She is not disappointed.
Godzilla (who can be tracked underwater by his radiation
output) rises from the sea to stamp flat a small town and a power
station. He seems to have a pet peeve regarding electricity. Yuki manages
to take a few pictures as the three run for their lives, but the photos
are ruined. Godzillas radiation, from what looked to be at least
a mile away (!) fogged the film (Mini-science
moment: radiation will do that, but it takes quite a dose).
Seemingly satisfied, Godzilla returns to the sea. Meanwhile, somewhere else off
the coast of Japan, a research team engages in some underwater engineering
to bring an unusual meteorite to the surface. This big rock has strange
magnetic properties and (for a rock) strange
buoyant properties, because as soon as they free it from the muck of the
ocean bottom it floats to the surface on its own. The effort is coordinated
by chief scientist Shiro Miyazaki (Shiro Sano: VIOLENT
COP, THE MYSTERY OF RAMPO) but lead by deputy minister Mitsuo Katagiri
(Hiroshi Abe: OROCHI THE EIGHT HEADED DRAGON).
The rock is towed into port but as soon as the first sunrise in many millions of
years strikes its surface (reminiscent of the monolith
from 2001) the rock comes to life. It quickly becomes clear that
it is, in fact, an alien spacecraft. The rocky shell is knocked loose and
the craft flies over Tokyo bay. And who should happen to be wandering
by, intent on stomping a nearby nuclear power plant, but the Green One
himself. The UFO and Godzilla eye each other, then the silvery craft fires
an energy beam knocking Godzilla on his scaly ass. Godzilla hops back
up and lets loose with a blast of his well known bad breath, sending the
UFO spinning. Realizing discretion is the better part of valor, the alien
craft speeds away to the heart of the city and perches like a huge bird
on top of a skyscraper (which happens to contain
the offices of Yukis newspaper).
Meanwhile, the military has arrayed a formidable looking group of tanks and missile
launchers on the beach, ready to do battle with Godzilla One More Time.
Before the attack can begin Dr. Shinoda and Io arrive in
time to protest the attack. Shinoda says, "Godzilla must be confined,
of course, but not destroyed. He must be studied first." Ha! Tell
that to the relatives of all the people he trampled. Katagiri (who
turns out to be an old rival of Shinoda's) looks at Shinoda
like he's crazy (which he'd have to be)
and orders the soldiers to fire. The latest armor piercing shells explode
against Godzilla and not only don't hurt him they just make
him mad. Duh!
Godzilla stomps his way into Tokyo (I can just see people
who live there looking out the window and thinking, "Again?!")
to have it out with the alien saucer. The final battle involves an extraterrestrial
monster that threatens both Godzilla and all of humanity, of course.
Okay, now it's really time for a
!!!SCIENCE MOMENT!!!:
Let it be known that I freely acknowledge the fact that Godzilla violates
so many laws of science its hard to know where to start. He violates
the square-cube law (see my review of THEM)
and the law of conservation of mass and energy. He's unprecedented in
the fossil record and biologically both unique and impossible. He breathes
underwater and gives off more gamma rays than Chernobyl. There's
just no way. BUT THAT'S OKAY. To me, Godzilla has always represented
a force of nature incarnate. He represents all the things we don't understand
yet, so there he stands, impervious to our weapons and our understanding.
He just is.
Now at this point you might be thinking that I thought G2K was a better movie. Wrong.
It was a much, much worse movie. Hilariously worse. Wisconsin couldn't
make a cheesier movie. I'd love to ask the translator why they chose to
render an expression of surprise from one man as "Great Caesar's
Ghost!" and from another as "Gott in Himmel!" What the
hell? Katagiri is a way-over-the-top bad guy. The good and pure Shinoda
thinks nothing of running into a building with his daughter when
he knows the building has been set with explosives minutes away from detonating;
and Godzilla himself is the most fearsome looking man in a big rubber
suit you'll ever see. I give G2K an easy four negative shriek girls.
So Bad It's Great!
   
This review
copyright 2000 E.C.McMullen Jr.
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