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HORROR / THRILLER / SUSPENSE |
| SEQUELS | ALPHABET | SCARY TOP 10 | SCIENCE MOMENT | FEO'S STUFF | UNFAIR RACIAL CLICHÉ ALERT |
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This was the first movie to dispense entirely with Jay Anson's THE AMITYVILLE HORROR and Hans Holzer's THE AMITYVILLE CURSE. Amityville is a real place, the DeFeo family slayings were a real crime, and the Lutz family tried to get out of their lease by claiming the place was haunted. That was all reality and nobody owns reality so, as long as you have an entirely separate story about the house, you don't owe anyone anything. The Amityville etceteras continue because you, me, everybody can jump up and make an Amityville Horror movie without owning anyone squat. So Dino De Laurentiis, who produced the first sequel (which was actually a prequel), could go anywhere he wanted to go with the story. This is where he went. He hired William Wales to write the story. As a writer, William never worked in movies before, and he never worked in movies again. Dino got Richard Fleischer to direct. Like any good director, Fleischer had his ups and downs but is best remembered for movies like SOYLENT GREEN. By the time this movie came around unfortunately, Richard's best days were behind him. This movie's script isn't especially bad, and the direction is reasonably good. The problem is chiefly in its gimmick, which was 3D. William Wales didn't know how to write a script that would have things - and this is a Horror movie so they should be scary things - coming out at the audience. Instead we get the magical 3D effect of a Flash light in 3D! A hand reaching out in 3D! A Boom mike coming toward us in 3D! And we also got a very unfortunate side-effect of 3D that no one apparently foresaw. When you shoot in 3D and you want extreme close-ups of your lead actor's face for emotional impact, it is right at that precise moment, for deepest emotional impact, that parts of the actor's face should NOT come out of the screen at you in 3D! That means you don't get an actor with a very prominent nose like Robert Joy, or in Tony Robert's case, unusually large ears. I'd seen Tony Roberts in movies before and I never really noticed his big ears until I saw this movie in 3D. The DVD doesn't let you have that 3D option, but once you've seen it on the big screen, it definitely colors your perspective on this movie forever more. That more than anything else is likely what led to this flick's downfall at the theaters. It doesn't help that it was running off the fumes of the first one after the second was so awful, either. I don't know why William never wrote another screenplay. I've seen far worse movies written by people who've gone on to healthy careers and even won an Oscar or two.
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